Tahereh Mirzadeh Soghani; Aliakbar Ahmadi Chenari; Ali Asghar Habibi
Abstract
In Jung's analytical psychology model, the mental part of human beings consists of male and female elements and only the agreeing side or element is evident and the other side is hidden. The animus or inner male is the masculine side of woman and responsible for masculine behaviors that influences subconsciously ...
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In Jung's analytical psychology model, the mental part of human beings consists of male and female elements and only the agreeing side or element is evident and the other side is hidden. The animus or inner male is the masculine side of woman and responsible for masculine behaviors that influences subconsciously her behavior, performance, speech, and mental life. Jung believes that if a woman can control her inner force and compromise with it she will show its positive masculine characteristics and if she cannot control it she will show negative masculine characteristics. This inner force of women’s mental issues manifests itself in various positive and negative forms. Female poetry is one of the main manifestations of the animus. The study aimed to discover the manifestations, meanings, and implications of animus in Nazik al-Malaika’s poems, as one of the pioneers of form and content revolution in contemporary Arabic poetry. Lack of a systematic analysis of the masculine aspect of Nazik Al-Malaika’s poems, as one of pioneering female contemporary Arabic poetry, which uses psychological approaches was identified to be necessary. The results showed that in her individuality realm, she sometimes is in peace with her male side and sometimes she struggles with it and puts her psychological life in danger. Moreover, the dominance of desperation in her poems shows that she has usually been unsuccessful in dealing with the influencing force. Therefore, the negative aspects of animus are more manifested in comparison with positive aspects.
Mojtaba Behroozi; Ali Asghar Habibi
Abstract
this article aims to compare the characterization style of "A Sparrow from the East" and "The Beggar" based on statistical method. Statistical method is a style that Bouzyman has established to recognize and compare methods. Bouzyman assumes the existence of morphological variables which increase or ...
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this article aims to compare the characterization style of "A Sparrow from the East" and "The Beggar" based on statistical method. Statistical method is a style that Bouzyman has established to recognize and compare methods. Bouzyman assumes the existence of morphological variables which increase or decrease with connotative lines. This theory using statistics attempts to avoid the origins of conjecture, taste and subjective judgments in method identification and recognize the methodological features such as dynamism, emotionalism, passivity, rationality, etc, in order to achieve a reasonable analysis. This research aims to analyze the morphological variables of the two works and their statistical data, and to draw tables that can help us to express the typical signs of the different styles of the authors in the scientific or literary atmosphere of the works. It also attempts to specify the level of dynamism, emotionalism, passivity and rationality of the two novels. The results of the study demonstrates that the characterization method of the two writers are quite different and that whenever writers take advantage of dynamism, emotions and dialogue in their method their value( R V A) has increased and when they have receded, it has been decreased.
Ali Asghar Habibi
Abstract
Zakirat-al-Jasad (Memory of the Flesh), written by AhlamMostaqanemi is a sociopolitical romantic novel that has won Noor award as the best feminine work in the Arab world. Among narration structures, the time element is very significant in this novel. Various theories are presented about narrative time. ...
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Zakirat-al-Jasad (Memory of the Flesh), written by AhlamMostaqanemi is a sociopolitical romantic novel that has won Noor award as the best feminine work in the Arab world. Among narration structures, the time element is very significant in this novel. Various theories are presented about narrative time. The most complete theory about time element in novel is Gerard Genette’s theory which has presented an independent theory about narrative time. According to Genette, narration time is formed by considering three time elements: order, duration and frequency. By studying order, time duration compared with calendar time, position of time becomes understandable in the process of forming plot. Using a descriptive-analytical method, in this paper, the author tries to study the dimensions and different narrative time elements in Zakirat-al-Jasad novel based on Gerard Genette's theory. The study of narration time in this novel shows that the narrative is based on time break method and discrete non-linear movements. Narration form has a circular loop in such a way that the end of novel is directly related to its beginning. By this aesthetic technique, Mostaqanemi has selected different options and presented retrospective and introspective narrations. Because of the descriptive delays and frequent use of description, poetic style, mental action, verbs and social commitment of writer, narration speed is low.
ali asghar habibi
Abstract
One of the main features of contemporary poetry is to deal with various political, social and cultural issues around poet besides richness and personal aspects in art and indirect form. But in the meantime, the emerging technique of mask should be known as one of the most artistic areas of expressing ...
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One of the main features of contemporary poetry is to deal with various political, social and cultural issues around poet besides richness and personal aspects in art and indirect form. But in the meantime, the emerging technique of mask should be known as one of the most artistic areas of expressing poet concerns and emotions in human and objective form. Sayyab in line with other counterparts, with emphasis on three principles: the crucifixion, sacrificial system and life after death, aims to depict the torment that he has suffered for his nation doom in addition to Twin imaging and to depict this zeal yields. Then, Sayyab’s approach for Christ Symbol is two types: the first one that emerges in hope and optimism ways in his poems is in line with main theme of Christ myth that is zeal and resurrection. Sometimes he transform theme and main contents of myth in a artistic and reverse approach and gives new and contrary dimension to first one. Then, the triumph myth in his poem becomes a failure symbol. He does this in order to describe his contemporary poems experience that is resulted from the outer contradictions and inner turmoil in personal or human level.
Dr. Ali Habibi
Abstract
Fable and myths- as one of the foundations of ancient heritage-have found a valuable function in modern poetry, and various literary techniques have been created to use them in a richer field. Modern Arab poets utilize these myths to raise the level of their own personal poetic experience to a humanistic ...
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Fable and myths- as one of the foundations of ancient heritage-have found a valuable function in modern poetry, and various literary techniques have been created to use them in a richer field. Modern Arab poets utilize these myths to raise the level of their own personal poetic experience to a humanistic level. They create a new implication out of mythical personality ,identical to their own experience. To give a profound impression to their poetry they use the most effective literary techniques, from which the mask is the most efficient one.
Mask of Tammuz is one of the most frequent ones in modern Arabic poetry and Badr Shaker al-Sayyab is considered one of the pioneers in this field. He believes in the idea of death, renewal and resurrection. He applies Tammuz fable to his poetic experiences in different literary ways, e.g. invocation, inspiration and mask processing. The following issues will be discussed in this paper regarding the usage of Tammuz mask in his poetry:
- Tammuz mask and the replacement of goddess (Isther ( for Sayyab's beloved Wafigha
- Combining of Tammuz mask with other similar fables or mythical personalities (poly phony )
- Tammuz love for (Isther ) and the hope for political and social revolution
- Tammuz mask and disappointment form renewal and resurrection.
Key words: al-Sayyab,Tammuz ,mask , contemporary Arabic poetry.
